Who’s Done This Before?

.

Who’s done this before?

Not me

At least not like this

At this time

In this place

As a here and now it is here and now

Me writing it

You reading it

Two different things

Both here and now

.

Who’s done this before?

I have

It is restored

I have taken words

Heard and then

Stored them in my head

And restored them

Resorted

On this page

To be stored in your head

.

Who’s done this before?

You have

You reader you

You repeated

What you heard

Stored in your head

Resorted

Repeated in the air

Words spoken you speaker you

And stored in the listeners head

.

Nothing is original

In this

But

Word order

Resorted

And

Restored

.

We’ve all done this before.

Light Show

Does the sun know that in eight minutes time

Light from it’s ancient fusion will arrive in my eyes?

Given what I see I assume some level of consciousness

Creativity in the morning on the curtains by my bed

Surely the sun must know

That at a certain angle it will make a show

.

The curtains, closed, help

They are pale, with a light vertical trellis in places

But mostly a rambling rose, with buds and flowers

They too I ascend like the sun

Climb out of winter slumber to follow the light

And set their leaves in air in flight

.

But it is brightly creative and alive and moving

The light moves mostly down and slightly to the left

As the sun, close to mid-summer rises to the right

And beyond the window, trees, branches, leaves

All too in motion, swaying in the breeze

And, in motion too, attached to trees

.

At times there is no show as clouds, I presume, block the light

But wait and it returns

Some singular path joins unjoined growth, in juxtaposition

A pattern and patterns of movement coalesce

And a dance unfolds, of shapes over shapes

Beside our bed, through window and on our drapes

.

A small fluted leaf, a stem, a branch

And what are clearly oak leaves lobed and blunt

Wisteria, filigrees of fine hair on a babies brow

Some, distant and indistinct bit of tree makes a backdrop

To some limb and leaf nearby and in focus, sharp

Plays and upstages the rest, visually like the sound of a harp

.

From a boiling mass far away

Beyond white hot, a creative act

Lyrical and rolling the sound of the thunder of the sun

Made into a light show for our eyes, briefly

Transformed by a passage through space

To our bedroom, to this place

The Garden

The garden

Does not await me

To awake

In the morning

And sit in the my favourite chair

In awe

It waits for no-one

It serves no-one

For no-one was there

At it’s making

It precedes

Us all

It told us

On our arrval

What to do

And is still waiting

For us

To listen

A Working Model for Art as Research

Introduction

This article introduces a number of ideas I have explored as an attempt to develop a basic experiential learning model to become a model for art making as research of personal experience.

This is the model I developed to describe my own working practice. It draws on all sorts of sources that are generally not referenced in writing I have seen about experiential learning, but through my own practice research, I think are relevant to art making as experiential learning. Experiential learning is assumed to be a form of personal research, and references are made to work from post-graduate arts-based research in Fine Art and the Arts Therapies.

It has seven elements, which are presented as parts of a circular sequence that returns to itself. In practice, these elements often occur simultaneously.

It is a long read of about 7k words, taking about 25–30 minutes.

I present it as a long blog post, click page 2 below.

art . outdoors . health