Tag Archives: Place

Items about place and how we understand it

Your Problem

“Your problem..”
Croci said
“Is pockets,
Possessions, property,
And weight.”

He arrived unbidden,
And told us
He had been thinking
About flight, and how,
If he had pockets,
He could not fly

“The weight you see..”
He said
“..of property and possessions
Would weigh me down.

But you.
You humans have feet,
And pockets,
That you may carry things,
Carry weight on foot.

In pockets, in bags
Or in vehicles
With wheels.
You pick things up
And carry them away,
Accumulate them,
Things that aren’t your things.
You take them,
And accumulate them
In dwellings, villages, towns, cities.

We inhabit these places like you,
Unburdened.
By our need for flight.

We have tools like you.
We have language like you.
We have culture like you.
But it is light.
We have not things we own.
No property.
But things of value,
Tools, language, culture.
Light enough to carry
In flight.”

“Your problem..”
Croci said again
“Is pockets
Possessions, property,
And weight.”

“The weight
Of your things
Weighs you down,
Slows you down,
Fixes you and your mind
To one place,
To one point of view.
Your things own you.

The heat is coming.
It is creeping north.
It will slow you down.
It will mow you down.

Stuck,
You will be,
And cooked,
You will be,
By the things you own.

You are possessed
By your possessions.

You may flee with us.
Leave your things behind.
Become unburdened.

But first,
Empty your pockets,
And be free.”


For more Croci poems, click here.

Philosophy of Walking

I found this video below, with the words of Frédéric Gros in his book, ‘A Philosophy of Walking’. It is a recommended read. I thought it worth sharing. His opening line is stunning. What art making and walking are about.

Enjoy 3 minutes of peace and wonder, wonderful words and wonderful sights.

His words are below.

“None of your knowledge, your reading, your connections, will be of any use here.
Two legs suffice, and big eyes to see with.
Walk alone across mountains or through forests.
You are nobody to the hills or the thick boughs heavy with greenery.
You are no longer a role, or a status, not even an individual, but a body.
A body that feels sharp stones on the paths, the caress of long grass and the freshness of the wind.
When you walk, the world has neither present nor future: nothing but the cycle of mornings and evenings.
Always the same thing to do all day: walk.
But the walker who marvels while walking; the blue of the rocks in a July evening light, the silvery green of olive leaves at noon, the violet morning hills, has no past, no plans, no experience.
He has within him the eternal child.
While walking, I am but a simple gaze.”

A healthy place ?

‘Placeness, Place, Placelessness’ is an interesting WP Blog about… well, Place.

Place is an easily overlooked component of experience and health. But health may not be altogether manageable through medicine and personal agency. Sometimes a place may benefit or detract from health. The author starts with John Snow’s 1854 famous map of cases of cholera and gives a great overview of place and health.

Here on Moving Space, I propose that outdoor spaces promote wellbeing if approached in the right way, and approaching the outdoors through art making is one of those ways.

Richard long’s walking works as art

The artist Richard Long started a career in art by walking.

He has made a lot of indoor works, mostly in response to his outdoor experience, and these stand as conventional gallery works. But the work that intrigues me are his walks. These are many things, but essentially they are performance pieces that make a mark. In many cases, the marks made as art, like the walks made as art, are temporary. This is what makes them performance art. They are temporal.

Showing this is therefore difficult.

In many cases, Long has used text to stand in for experience. Click the word TEXT below to see this.

TEXT

There are a lot of videos of people talking about Long’s gallery work and his walking work, but there are few that simply show how Richard Long’s walking works as art.

These two below show his work well, without recourse to the opinion of third parties.

The link to his own site is below the videos.

Richard Long’s Personal Site

Croci Liked Crow

For Ted Hughes

Croci liked Crow and
Flicking the pages
Tapping ones that looked interesting
The old man read them out
Croci listened, head cocked
Did not understand them all but
Said that whoever wrote them
Knows about crows
Knows their blackness
And their eating habits
But went no further

Croci
Flicked on to other pages and sat
Again, head cocked
The old man spoke on
Croci comprehended, compended
And collected
Morsels of poems
Choice items
First the eyes
Then the tongue
Then fat, flesh, bone marrow
Then stolen eggs, earthworms, insects, fruit, small mammals, amphibians
Croci had a strict order
Favourites first, fluids, then
Fast fatty food
When the ground was frozen
In the winter
This could save lives
So it was passed on
As poetry
Bird to bird
Eat…
Eyes, tongue, fat, flesh

The old man talked about
All the words
Written
About Crow
By people
Who never wrote
The poems
About Crow
And
Croci huffed
Phewph
What do they know about winter
In their warm houses
With their warm toes
And their warm hearts
The man who wrote Crow
Knew about the cold bleakness of winter and
His frozen heart
Had eaten carrion
To keep himself alive
The poems in Crow said this
Which is why
The people with warm toes
And warm hearts
Wasted the warm air
That made words
Instead of eating
Eyes and tongues
Whilst still warm
And moving
And in silence
Speaking
About
Survival

Croci said
Poetry does this

Chris Reed

Croci Dug Down

The birds were busy
It was that time of year
Dancing, preening, chasing, breeding
Being pretty
Croci was busy too
Digging down
Doing dirt work
Being black coal glistening oil slick rainbow
Shifting shapes
Universal and bedecked by stars
The night sky
Constellated different at every glance
In the field digging
Heads down
The Rooks
Barefaced
Marlin spiked
Trowel headed
Looking for some sub surface thing
Long lost

Chris Reed

All Crows Look the Same

Through unseen eyes
Black on black
Beedy and beeding me
The unseen seeing all, unseen
That we see all the same
The one bird in the many
Thus the seeming sightless single beast
Is able to move unseen
En masse
In our world of personal sovereignty
Safe, at least for now,
As a singular multitude
Oxymoronic, axiomatic
A flock on automatic
A hive mind
Evading and
Outwitting us
Seen but unseen
Croci hidden
All
In plain sight but
All
Above our heads

Chris Reed